|
Instrumentation |
Opus n. |
Title |
Kind of instrumentation |
|
Piano Solo |
1 |
Anubis |
|
|
|
2 |
Sonatina |
|
|
|
3/A |
Iblis-Suite |
|
|
|
4 |
So slow |
|
|
|
5 |
Memoria del diluvio |
|
|
|
6/C |
Due Pensieri |
|
|
|
8/A |
Tre incantesimi etruschi |
|
|
|
8/B |
Due incantesimi |
|
|
|
9 |
Sonata 1 |
|
|
|
11 |
Sonata 2 |
|
|
|
13 |
Sonata 3 |
|
|
|
14 |
Seelenkalendar |
|
|
|
15 |
Eliogabalo |
|
|
|
19 |
Berceuse (Klingsor-Iblis) |
|
|
|
20 |
Seconda sonatina |
|
|
|
22/B |
Sonneries |
|
|
|
23 |
Enigma |
|
|
|
26/A |
Notturno(sequenza del Fayyum) |
|
|
|
31 |
Waiting music |
|
|
|
38/A |
Toccata |
|
|
|
38/B |
Toccata |
|
|
|
44 |
Sonnerie de Aiwass (Sonata 4) |
|
|
|
45 |
Toccata 2 |
|
|
|
49 |
Toccata 3 |
|
|
|
52 |
Toccata 4 |
|
|
|
65/L |
Terza Sonatina |
|
|
|
68/B |
Toccata 5 |
|
|
|
71 |
Toccata 6 |
|
|
|
73 |
Disco-Fugue |
|
|
|
82 |
Kleine Ibach Fugue |
|
|
|
90 |
Toccata 7 |
|
|
|
91/B |
Sonatina in canone |
|
|
|
124 |
Toccata 8 |
|
|
|
|
|
|
|
Two or more pianists etc. |
27 |
Quartetto |
4 Pianos |
|
|
33/G |
Double-Machine |
2 Pianos |
|
|
34/A |
Keyboard-Phase |
2 Pianos |
|
|
35/A |
Piano-Brain |
9 Pianos |
|
|
35/B |
Piano-Brain |
9 Pianos |
|
|
35/C |
Piano-Brain |
9 Pianos |
|
|
43 |
Keyboard Master |
2 Pianos |
|
|
46 |
Piano quartets |
4 Pianos |
|
|
56/B |
Keyboard-Rain |
3 Pianos |
|
|
58 |
Data-Hands |
Four hands piano or 2 Pianos |
|
|
62/B |
Some rain patterns |
3 Pianos |
|
|
|
|
|
|
Electric Organ |
34/B |
Keyboard-Phase |
2 Electric Organs |
|
|
62/A |
Some rain patterns |
3 Electric Organs |
|
|
|
|
|
|
Pipe Organ |
91/K |
Sonatina canonica |
|
|
|
103 |
Primo libro d’ organo |
|
|
|
104 |
Secondo libro d’ organo |
|
|
|
106 |
Preludio e toccata |
|
|
|
112/E |
Sonatina |
|
|
|
115/C |
Preludio e toccata |
|
|
|
125 |
Credo sonata |
|
|
|
|
|
|
|
Harpsichord |
48 |
Risveglio |
|
|
|
65/C |
Sonatina per il cembalo |
|
|
|
68/A |
Toccata per il cembalo |
|
|
|
73 |
Disco-Fugue |
|
|
|
82/B |
Piccola fuga |
|
|
|
86 |
Les nouvelles baricades |
|
|
|
91/A |
Quattro canoni |
|
|
|
112/A |
Tre preludi |
|
|
|
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|
|
|
Winds without Piano |
3/B |
Iblis-Suite |
Oboe & English horn |
|
|
7/A |
Etude du reveil |
2 Recorders |
|
|
7/B |
Etude du reveil |
2 Oboes or 2 Clarinets |
|
|
7/C |
Etude du reveil |
2 Flutes |
|
|
7/D |
Etude du reveil |
2 English horns |
|
|
10 |
Guillaume |
Oboe,Clarinet & Bassoon |
|
|
12 |
Abendstuck |
Oboe d'amore or English horn |
|
|
12/B |
Abendlied |
Recorder |
|
|
18 |
Aria di Eliogabalo |
Oboe d'amore or English horn |
|
|
18/B |
Seconda aria di Eliogabalo |
Oboe d’amore or English horn |
|
|
18/C |
Canto di Eliogabalo |
Recorder |
|
|
21/A |
|